Their purpose is to help future musicians build a replica. The first three chapters of the dissertation include a history of the Old Granddad instruments, technical diagrams and descriptions, and a discussion of their tuning. The research culminated in my doctoral dissertation and a collection of field recordings of the instruments. My research into this collection of instruments (and the subsequent repertoire) led me to consult with Richard Cooke, who built many of the instruments in collaboration with Harrison and Colvig members of The Industry, the opera company that staged a re-envisioned Young Caesar production in 2017 and Jody Diamond, Harrison's gamelan teacher and close friend. The music of these instruments (which came to be known at “Old Granddad”) are a truly significant achievement in the history of Western music. He and William Colvig created a set of tuned pipes and aluminum slabs that were fixed to a single key and, because the instruments were highly resonant metallophones, they became known as the “American Gamelan” (even though Harrison’s own compositional practice with them bore little resemblance to the music of Indonesia at this point). An example of this is the creation of his “American Gamelan” in the late 1960s and early 1970s. American composer Lou Harrison was known for his activity in blending the music of the world’s cultures and, later in life, building instruments.
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